#Jessica Stockholder

[melinda-pascal]

Jessica Stockholder

1. "Vortex in the Play of Theater with Real Passion" (2000)

Materials: Duplo, theater curtain, work site containers, bench, theater light, linoleum, tables, fur, newspaper, fabric, and paint

Description: An installation that merges sculpture and painting with everyday materials, exploring the interplay between abstraction and the domestic sphere.

2. "Wide Eyes Smeared Here Dear" (2009)

Materials: Carpet, furniture, plastic containers, tubular metal structure, hardware, printed photographs, rubber floor tile, velvet curtain, paint.

Description: Immersive installation that combines bright colors with everyday materials like furniture and plastic to create a complex visual and tactile experience.

3. "Flooded Chambers Maid" (2009)

Materials: Wood, carpet, electric lights, plastic containers, and paint

Description: This outdoor installation combines architectural elements with brightly colored objects to challenge perceptions of space and materials.

4. "Sam Ran Over Sand or Sand Ran Over Sam" (2004)

Materials: Aluminum, paint, plastic containers, light fixtures, and everyday objects

Description: A playful assemblage of vibrant colors and textures, combining domestic and industrial materials in a dynamic composition.

5. "Color Jam" (2012)

Materials: adhesive vinyl, vinyl scrim

Description: A large-scale public art piece in downtown Chicago, where intersections were wrapped in vibrant colors, transforming the city streets into an interactive artwork.

[buffetstraat]

[danieladelafe]

de-Table-ization: inspiration images: collection 1 (Jessica Stockholder)

[female-malice]

Are you actually thinking of retiring, I ask? “I am,” she confirms. “I don’t think I’ll do this too much longer.”  Her decision, she tells me, has nothing to do with her age but is due to her sense of deep disillusionment with the type of films being made today.

“Creativity is secondary now to corporate profits,” she says. “The emphasis becomes not on the art or the artist or the storytelling. It becomes about satisfying your stockholders. It diminishes the artist and the art of filmmaking.” 

She laments the loss of “wonderful films by really great filmmakers, wonderful stories, great characters. That’s rare, isn’t it now?”

Given the calibre of the roles and the directors she’s worked with, it comes as no surprise that she says she “has no desire to see 90 per cent” of today’s offerings. In an apparent reference to American superhero films based on the Marvel Comics, she says: “I’m not interested in these big comic-book franchise films. I think that they’ve sacrificed this art that we’ve been involved in … for the sake of profit.” 

She loathes, for example, the “frantic editing” in today’s productions, unlike films of the past where the camera would linger on actors and allow dialogue to develop. “I don’t know if it’s because the filmmakers think that they can’t hold the attention of the audience anymore,” she says. “That kind of filmmaking drives me crazy.” Ageism is another aspect of Hollywood she criticises, observing that “even when it’s run by women, I don’t see a huge difference”. 

(continue reading)

[rob-art]

Jessica Stockholder

[k00288674]

Tuesday 03/10/23

I began this day by finishing up my collage bed sheet. I added lots more colour to it, which represents different emotions (like the threads I added to the brain I am making)

The work on the sheet represents a viscous cycle of barriers and vulnerabilities, and to help to portray this more, I used heavy string to create a spiral circle that goes around and around.

Similar to my crocheted brain, I added a black hole at the top of the sheet. One of my college peers took a picture of me touching the hole. I thought this would look cool as when I was shading it before, my hands became covered in black. It represents to me,letting the darkness in and infect me.

The crutches and torn sheet are my portrayal of the choice to break the cycle, to move on from it. But there is a sense of unknown in this choice.

The suitcase with pillow and blanket popping out of it represents that the cycle is carried with me, that I revert back to it when I really need it.

The cardboard box represents the barrier of having no known meaning to life and the confusion of always feeling like I don't fit in.

The four photos above are from books I used to help inspire my work. These books were "100 works of art that will define our age" by Kelly Grovier and "Jessica Stockholder" by Barry schwabsky, Lynne Tillman and Lynne cooke.

Jessica stockholder's work and Grayson Perry's work helped to inspire my work, aswell as Tracy Emin's work (see post Week 2 Part 1 30/09/23)

I also finished my brain. I had brought in some jewels I had at home and I hung them off the brain. Each jewel portrays a certain thing I want to be better at and all together they represent my deep desire to be a better person, which weights me down. I also added gems to represent that I am constantly growing and not stagnant.

For the Black hole, I used some squares of a plastic bin bag. I like the idea of using this as it shows how my brain thinks I'm shitty. But if I had more time (the project ends Thursday) I would love to try some ideas I got from my lecturer Giordana Gaiche from fashion textiles, like dipping material into wax to give off a wet look to the Black hole.

I am really happy with how my project has progressed and I am excited to present it Thursday!

[pikasus-artenews]

JESSICA STOCKHOLDER. Walking to sea

Bidimensionale o tridimensionale? Percezioni diverse nell’opera di Jessica Stockholder

[hanlmcd]

Jessica Stockholder

[researchbuzz]

Jessica Stockholder, Creativity During Covid, Twitter, More: Saturday Afternoon ResearchBuzz, December 2, 2023

NEW RESOURCES University of Chicago: Jessica Stockholder Digital Archive Available on LUNA. “The Visual Resources Center (VRC) is excited to announce the digital archive of Jessica Stockholder, now available to the UChicago community and beyond on the VRC’s digital collections platform, LUNA. The Jessica Stockholder Archive is the first LUNA collection dedicated to a near-comprehensive overview…

[zooterchet]

Tom Riddle (Lord Voldemort)

Ismael: Samson, Variant Judas Iscariot.

Promethean: Aristotle, Variant Theseus.

Achievements:

Korean Yakuza: The removal of worker's production demands in favor of increase to wage, and the removal of spouse registration in favor of open mingling of cohabitation prior to engagement.

FBI: The lift of MI-6 Hindu Theraveda records to safe storage in Texas and Langley, for analysis by the Bush Jesuit Society, out of private stockholds in Turkey and the Diner's Association.

CIA: The nullification of the Episcopalians of New England, by an international pattern virus shape inserted per type of spectrum, to remove abuse of poverty patients threatened by draft recruit as children.

IRA: The reversal of forced spousal conjugal among females, by proving the rule through visits to prostitutes and the incarceration of a female stalker in psychiatric nursing seeking to marry with child at force, therefore proving the rule for women to defend against men.

Secret Service: The removal of Fentanyl poisonings by the Fraternal Order of Police and the State Police Union, and the return of the Fentanyl poison practice through Madrid, back into Mecca, to shut down production facilities in Riyadh. Comedy Central, is removed from the Los Angeles Sheriff's Department and the ZODIAC Commission's control, George Soros, and returned to the Los Angeles Police Department, the Foreign Office.

NSA: The return of Sharon township's corrections hub, through a forward rolling assault masterminded through Philip J. Morris (tobacco laws), SIGINT (Code Pink), HUMINT (Comedy Central film), NSA OP-INT (GTA V penmanship), ACLU (the downfall of Likud through EON), the US Army (the strip of weapons badges from Comcast Church of Latterday Saints), with a return of the Greek Orthodox community, as opposed to the Jewish Orthodoxy, removing the deliberately confused terms between Eastern Christianity, and Militant Judaism Presbyterianism.

USMC: The removal of terror targets at top spymaster positions, unpopular in their organizations, through a pattern shape from multiple forms, and the strip of the organizations into merger with funding under the Italian Mafia, the FBI, inside comic book housings under the Mossad; Amazon Comixology.

MI-6: The defense of the Crown Coronet Jessica, and the murders or executions or assassinations of opponents of her grandfather, Sirhan Sirhan, to protect the legacy of her great aunt, Lady Diana.

Boston Wights Front: Street intelligence work to remove Iran, Macy's, Boston Rabbinical Law, Ashland SWAT, Parisian Circus, Canadian Mounted, Japanese Automotive, and Israel from influence over locale public programs of NATO prevalence.

PRCC: The removal of seven Likud figures, through fraudulent villains in the Daniel Craig Bond films, five of them, to lead to the downfall of Benjamin Netanyahu, a British spy planted in Israel.

Clear Channel: The currency fraud removed from dozens of illicit agents of queer culture, in various forms, and throughout entire structures, to return America to its solemncy as an adults culture, where children can live without fear of extortion by parent to be involved in the arts or shows or drama.

Boston Police: The nullification of fifteen MI-6 BOX agents of controversial bloodlines, through private book study, neglecting video games and instead using course work, to counter each, into public suit of humiliation into scheisse play, man-on-woman brown showers.

Vatican: The counteraction of MI-6 agents working on field report, through techniques duplication SIS MI-6, however as COIN signals variables, for takedowns through world history of antiquity.

COINTELPRO: The print of DC Comics and video games, for American training purposes, to counteract the IDF, with NYFD, NYPD, FBI, CIA, NSA, and Wiccan engrams encoded, to counter the British-Israeli alliance out of David Cameron's regime.

German Owls Parliament: The refusal of CIA services, to join the Mossad, for future events; the bribe refused, and the shutdown of the "leisure suit" program.

Dar Es Al Salaam: The nullification of Argentinian Jew Fascistas out of Juan Peron's regime, and the removal of James "Whitey" Bulger's staged elements of the Mossad, from New England, allowing Pope Francis to do as he wishes, and to escape the hatred of the Jewish orders of Latin-America, as Pontiff. The reversal of retired spies, and varsity athletes, statuses in rehabilitation, and hospital incarceration.

[repairingangelsworld]

artist research

Rachel Harrison

Jessica Stockholder

Isa Genken

[akashkesari1]

Different Types of Business Ownership

Depending on the nature of your organization, you may have a variety of various liability alternatives. Corporations, limited liability partnerships, sole proprietorships, and cooperatives are all examples of legal entities. Each has its own set of liability laws and how they can affect your financial status.

If you’re beginning a new firm or a seasoned business expert looking to start a new enterprise, you should think about the advantages of forming a sole proprietorship. This is the simplest type of business to establish and run. The disadvantage is that you will be personally liable for all business debts and losses.

As a result, banks and other lenders may regard you as a high-risk borrower. As a result, before applying for a loan, you should ensure that you have a strong credit rating and a track record.

As a result, you must submit a Schedule C report together with your personal tax return. This section will detail your company’s profits and expenses. If you live in a state with taxation, you must additionally pay a quarterly tax payment.

The benefits of a sole proprietorship include complete control over your business. You will also have full access to your profits and will never have to bother with other owners interfering with your firm.

Whether you’re starting a new business or already have one, a limited liability partnership can help you secure your assets. It combines the advantages of a corporation and a partnership while allowing you to structure your firm however you see fit.

An LLC is an excellent option for medium-risk enterprises since it gives the same legal protection as corporations while allowing owners greater flexibility in how they conduct their firm. There are, nevertheless, some significant distinctions between the two business models.

An LLC, for example, allows a company to arrange its administration and taxation in a way that benefits the company rather than requiring it to comply with state-mandated restrictions. This makes it a viable option for persons with considerable personal holdings who want to keep company flexibility.

An LLC also offers significant protection from company debts and other lawsuits. An LLC’s owners are all immune from financial accountability, and there is no double taxation.

Choosing a kind of business ownership is a vital decision whether you are beginning your own firm or planning to go public. There are various sorts of business structures, each with its own set of legal ramifications. Liability, finance, control, and taxation are examples of these.

Business structures are classified into three types: sole proprietorship, limited liability company, and corporation. Each structure has advantages and disadvantages. Consider your company’s needs when determining which business structure is best for you. For example, you might wish to launch a firm that provides a high level of personal liability protection, or you might need to raise capital for your company.

One of the benefits of corporate firm ownership is that stockholders have minimal responsibility. This is due to the fact that the owners are solely accountable for the amount invested in the business. This is in contrast to the obligation of shareholders in a sole proprietorship, who are personally liable for any debts incurred by the company.

Despite the growing popularity of cooperative business ownership, few people understand its significance in contemporary society. Cooperatives have a huge impact on our economy, according to studies. They have also helped to employ more than 2.1 million individuals. These enterprises follow the same ideas as traditional businesses, but they bring together owners and customers, recycle local capital, and promote self-help.

Dr Jessica Gordon-Nembhard, the author of The Cooperative Advantage, conducted a study on the benefits of cooperatives. She cites natural grocers, rural energy cooperatives, and cheap housing as examples.

However, there are significant drawbacks to co-op business ownership. For example, there may be legal concerns that limit co-op members’ ability to return to the job after a certain amount of time. Another difficulty is that membership does not always make sense.

When a cooperative member joins, they are making an investment in the cooperative’s future. Furthermore, they are liable for any losses the company suffers.

[danieladelafe]

Week 6 Index

1. DO IT!

2. Appendage: Artists

#1 #2 #3

3. Appendage: Reference 

image reference: #1 #2 #3

Sketches: #1 #2 #3

4. Appendage: Process 

#1 #2

5. Appendage: Veneer

6. Appendage: Final

#1 #2 #3 #4

7. Appendage: Organic/Inorganic

Inorganic: #1 Video #1 Images #2 Video #2 Images #3 Video #3 Images

Organic: #1 Video #1 Images #2 Video #2 Images #3 Video #3 Images

Inorganic/Organic (extra): Images

8. de-Table-ization: One Minute Structure

9. de-Table-ization: Table Selfie

10. de-Table-ization: Research

Inspiration: Jessica Stockholder, Dan Graham, Balseros

[marilynlennon]

Jessica Stockholder

Jessica Stockholder is a pioneer of multimedia genre-bending installations that have become a prominent language in contemporary art. Her site-specific interventions and autonomous floor and wall pieces have been described as “paintings in space.” Stockholder’s complex installations incorporate the architecture in which they have been conceived, blanketing the floor, scaling walls and ceiling, and even spilling out of windows, through doors, and into the surrounding landscape.

Her work is energetic, cacophonous, and idiosyncratic, but close observation reveals formal decisions about color and composition, and a tempering of chaos with control. In a single work, Stockholder deploys a myriad of materials that might include bales of hay, fruit, toys, laundry baskets, curtains, heat lamps, fans, yarn, newspaper, bowling balls, automobiles, and construction materials: bricks, concrete, plywood, and sheetrock.

To the vibrantly colorful plastic products of consumer culture, she adds painted areas of bright hues, calibrating each color for maximum optical and spatial impact. Stockholder’s installations, sculptures, and collages affirm the primacy of pleasure, the blunt reality of things, and the rich heterogeneity of life, mind, and art amid a vortex of shifting polarities—abstraction/realism, classical order/intuitive expressionism, conscious thought/unconscious desire.

[stallation]

Jessica Stockholder

Sex in the Office, 2007

plywood, plastic floor liner, acrylic, oil and spray paint, glass, 2 pieces of stucco finished table base, book shelf, 4 metal table legs, frame and plegii glass, yarn, plasticize, zip ties, thread, shells, spray paint, rubber car mat, tape, canvas from oil painting

[archiveofaffinities]

Jessica Stockholder, Color Jam, Corner of State and Adams Streets, Chicago, Illinois, 2012